broken minor chords –
a shattered steel.
A modern horror,
proper labels sanitise;
the death of feeling.
Face sags under
situation’s gravity –
arrive unbidden –
dry, my silenced tears.
The first poem in this series can be read here.
Morning birds soar –
duvet of heaviest down
onto rusted steel spikes –
The English classical composer Ralph Vaughan Williams (1872-1958) was a great supporter of English folk music, systematically transcribing its pieces so that they would be preserved for the enrichment of future generations. Although part of the musical elite, he was far from being a musical elitist and believed that everybody should make their own music, no matter how simple, as long it were truly their own.
I think I feel the same way about poetry. There is absolutely no need to leave this to the professionals (although I do aspire to join that group), no need to wait deferentially for their elegantly expressed, finely constructed words to be delivered to us. No, it’s within all of us to express our thoughts, feelings and observations in verse, whether that’s a sonnet, haiku or plain blank. If you don’t capture the experience of your local life and history, then who will? Just as there is a great tradition in folk music, so should there be in poetry.
That being said, it shouldn’t be taken as a license to write lazily or sloppily, nor as an excuse to put forth insufficient effort. Just because the poem might be “simple”, doesn’t mean that it need be bad. I can’t know for sure that Vaughan Williams would agree with this application of his words to poetry, but I am hopeful.
For those regrettably unfamiliar with his music, might I suggest one of my favourites of his as a starter – Fantasia on a Theme by Thomas Tallis. The piece is in one part, but split across two videos here.
Like a YouTube mash-up before the internet age, this piece is genius reworking genius. Thomas Tallis is the master Renaissance composer, who wrote the 40-part motet Spem in Alium. Truly a staggering musical achievement, this piece is particularly sensational live, so you should immediately snap-up any opportunity that comes your way to see this in concert.
One of Tallis’ many other compositions is the theme Why Fum’th in Fight. Vaughan Williams took this haunting melody and transmuted already-glittering material into a precious object.
Now that you’ve heard these gems, it’s time to create your own works of beauty, and to do so true to yourself. Why not begin by writing your own fantasia, but in this case, based on a favourite line of verse.
Today is National Haiku Poetry Day in the US, an occasion on which to celebrate all things wonderful about haiku, particularly that written in English. The day is organised by The Haiku Foundation, so why not get involved by downloading their free haiku app and put a delightful selection of poetry in your hands, which you can take with you (almost) everywhere you go!
To give you a taste of what to expect, one of my favourites in the app, though I haven’t yet read them all, is this hard-hitting and stunning haiku by Raymond Roseliep. Enjoy!
between the deer
and the shot