In last week’s blog post I considered how a self-destructing book might alter the approach we would take to read it. This week I continue on the theme, taking that cautionary tale into the realm of possible nightmare…
Imagine that your self-destructing book now disappeared word-by-word, line-by-line, sentence-by-sentence. Read too slowly and the words would disappear before you even had chance to look at them. It’s a booby-trapped book – as soon as you open the front cover the timer begins to tick, and won’t stop until it has devoured all of the words.
Presented with such a gift would you start at the beginning and try to read fast enough to stay ahead of the wavefront of disappearing ink? All done in the hope that you were not reading so quickly that you weren’t actually reading at all but merely glancing over the page with deadened eyes. Or would you start further in, sacrificing the front portion of the book in the name of the latter pages? That way all the better to absorb the words that you did manage to read. Either way you lose.
There is an app, Write Or Die, aimed at encouraging writers to overcome the hesitancy of perfectionism and creative block, to “just write”, by gradually deleting their words if they type too slowly. Perhaps it’s time there was an equivalent for the reader? Previously beyond technical reach, the app as literature opens up these new possibilities for the form and allow us to examine our relationship with a text.
Imagine now the next step in the evolution of this self-deleting book: we join it not at a clearly defined beginning, but catch it at wherever it happens to be in the story. We don’t know how much we have missed, we don’t know how much is to come. Would you want to read a book like this? In some sense this book would be the epitome, the very embodiment, of realist fiction. Life happens and once the moment is passed, all we have is our unreliable memory of it. Moreover, as we soon learn as children, life is happening continuously, whether our eyes are open or not. The ephemerality of life and text become one. In such circumstances the oral tradition might once again become preferable.
Assuming that you did decide to enter into this mirrored reality, what if it was the most enjoyable and interesting that you had ever read? So captivating that the thought of having to stop is unbearable. You’d have to eat, sleep etc. at some point though, and while you were gone, the words would continue to appear and disappear, and you’d never know what they said. Worse, the subsequent material might no longer make sense and you might no longer enjoy reading it. That great pleasure of your life would have vanished. And so perhaps you’d try to keep reading and reading and reading until your met your demise.
The final situation I’ve described seems to me to be analogous to “The Entertainment”, the fatally addictive film in David Foster Wallace’s Infinite Jest. A film which, by the way, claims more than a few victims in that novel. If a book like this existed – one both potentially unending and maximally entertaining – would you choose to read it? Would you dare take that risk? Or would the risk lie in not reading it?